This artwork brings together a playful moment from Delhi-6 with The Jummah Masjid (1797), a historic depiction of one of Delhi’s most enduring spaces. The film’s portrayal of belonging, faith, and inner conflict finds a natural resonance with the stillness and scale of the mosque captured in the painting.
Paired with Masakali, the piece holds both movement and pause — a sense of searching, devotion, and everyday life unfolding within old streets and familiar silences. It is not about nostalgia alone, but about the layers of the city, where personal journeys and shared histories overlap.
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